“Broad City and Insecure’s Millenial Showrunners: From Indie Web Series to Cable and Streaming Crossovers,” Feminist Media Studies, Commentary and Criticism: Independent Women from Film to TV, edited by Safiya Noble and Melanie Kennedy, Vol. 19, No. 7, 2019, https://doi.org/10.1080/14680777.2019.1667075
“‘It’s just art’: auteur apologism in the post-Weinstein era,” Feminist Media Studies, Vol.18, No.3, 2018. https://doi.org/10.1080/14680777.2018.1456158
“Feminist Online Responses Against the U.S. Alt-right: Using The Handmaid’s Tale as a Symbol and Catalyst of Resistance,”Stefania Marghitu and Kelsey Moore Johnson,
Communication, Culture and Critique, Volume 11, Issue 1, 1 March 2018, Pages 183–185. https://doi.org/10.1093/ccc/tcx008
“But Seriously, I actually have a way normal life for a teenage girl’: The Teenage Female Empowerment Payoff in Amy Heckerling’s Clueless,’” Refocus on Amy Heckerling, Second Author: Lindsey Alexander, Eds. Frances Smith and Timothy Shary, Edinburgh University Press, 2016.
“The Business of Cause Marketing: A Conversation with Judi Ketcik,” The Spectator, Performing Labor in the Media Industries issue, with Eleanor Huntington, Volume 35, No. 2, Fall 2015, 65-69.
“Body Talk: Reconsidering the Post-Feminist Discourse and Critical Reception of Lena Dunham’s Girls,” Gender Forum, Second Author: Conrad Ng, Issue 45, October 2013.
“The Romanian New Wave: Witnessing Everyday Life in the Ceausescu Era and Understanding Post-Communist Dilemmas,” The UC Undergraduate Journal of Slavic and East/Central European Studies, Spring 2012.